Dynamics &
Filters
EQ
Dynamics &
Filters
The ES108A, an eight
channel dynamics option,
features a unique archit-
ecture employing DSP to
precisely compute the gain
function. This approach
results in a state-of-the-art
gain control device with
unmatched sonic perfor-
mance. The ES108A supports
SnapShot Recall so functions
can be stored and reset at
the touch of a button. Users
can add their own presets to
the library of factory presets
available at all times from the removable non-volatile memory.
A Euphonix patented color graphical display shows dynamic gain
control in action. The Gain Ball™ makes set-up, operation, and
monitoring of the ES108A’s operation fast, simple and intuitive. A
red ball tracks the theoretical gain curve in real-time and visually
indicates attack and release time adjustments. For the first time the
effect of dynamic processing can be accurately predicted and
displayed. Standard gain functions are available to be used
simultaneously. A new mode, Dynamic Notch, creates a frequency
dependent gain reduction band
ideal for use in de-essing or de-
ringing, as well as solving many
other gain related problems.
Also as a part of each channel
the ES108A includes a pair of
digital control filters which can
be individually selected to low
pass, high pass, band pass, or
notch. These 12 dB per octave
filters can be placed in the main
signal path, or the side chain of
the gain control element. The
ES108A is so flexible it even
allows the operator to select
negative compression ratios for
very special gain-based effects.
The ES108A is more than just a
compressor / expander / limiter-
it’s a creative tool!
EQ
Each channel has two 4-
band digital control
equalizers. EQs can be
instantly adjusted from one
setting to the next using
the SnapShot Recall
system, or dynamically
automated under MixView
3.0. A real-time color
graphic display of the EQ
response curve, complete
with band interaction, sets
new standards for ease and
speed. EQ is adjusted from
the center mix position
using the central assignable
controls; no more gymnastics are needed to adjust and listen to
subtle EQ adjustments, since the operator is always in the
monitoring sweet spot.
Critically acclaimed for musicality and flexibility, the Euphonix EQ
features the broadest mid-band frequency sweep range and overlap
of any analog console EQ. The Lo-Mid band sweeps from 41.2 Hz to
1.3 kHz, and the Hi-Mid band sweeps from 659 Hz to 21.5 kHz both
with an adjustable Q from .32 to 11.6. The two independent EQs in
each channel can be locked together for precise stereo signal control
or placed in series on a mono signal
to create complex EQ characteristics,
capable of creating effects or solving
the most stubborn problems.
Extra Aux Sends
Adding the optional Audio Cube™, a
system can be expanded to include
from 4 to 48 additional aux output
buses, making the total aux sends
available a staggering 56! Either
channel fader may access these
buses. Information relative to the
Audio Cube is stored and recalled as
a part of the SnapShot Recall system.
A future planned upgrade will
provide dynamic automation of these
send levels, and like all Euphonix
modular expansions, this can be
added to the system at any time.
dynamics, EQ and Aux Sends
Extra Aux Sends
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