Total Automation
Euphonix provides a level of creative possibilities that have never
been possible on consoles with automation systems limited to
just faders and mutes. With MixView software version 3.0 the
Euphonix provides expressive dynamic automation of upper and
lower channel faders and mutes, stereo panning, aux sends, and
EQ. In addition, SnapShots may be fired live to timecode allowing
instantaneous mix changes to occur at transition points or
breakdowns in the mix (a feature unique to the Euphonix).
SnapShot Recall
Integral to each mix is a SnapShot of the entire console. When a
Euphonix mix is loaded, every control, including EQs, dynamics,
filters, pans and routing are instantly recalled. At any time a
SnapShot of the console's settings may be saved and instantly
compared to a previously stored SnapShot at the push of a button
making it easy to audition subtle changes from one mix to
another. Instant recall of the settings makes it a simple matter to
go back and make changes to an older mix. It also makes it
possible to A/B compare final mixes on-the-fly with earlier
monitor mixes made months ago. A newly included compreh-
ensive off-line editing package provides the engineer with tools
to cut, copy, insert, delete and merge one mix with another.
Simple To Operate
Euphonix automation is comprehensive and simple to operate,
with dedicated keys for master status, and standard modes such
as write, trim, touch record, safe, monitor-before-record, write-to-
head, write-to-end and write-through the entire mix. It is even
possible to run automation during the overdubbing process
without interfering with normal operation. Parts of the console
may be automated while others may be set to manual.
Automation moves are shown on screen for each control in the
selected channel.
Signal Processing
The Euphonix CS3000 is equipped with powerful processing such
as the highly acclaimed 4 band equalizers and the optional
advanced dynamics processors and filters. Each dynamics
processor includes programs to compress, expand, de-ess, limit
and gate.
Lower faders are typically sourced from the multitrack return,
freeing the automated upper faders for mono or stereo effects
returns and additional live inputs to the mix. Each fader has a
dedicated EQ, doubling the number of full function paths in the
system during remix.
Effects Devices
The CS3000M offers the ultimate mixing facility by adding
dynamics to all lower faders and providing a total of 16 sends
available for effects: 4 send controls in each channel feed 8 aux
buses, and 12 additional assignable sends per channel. The upper
faders may also be used as a send from lower fader signals to a
multitrack bus, then routed to outboard effects devices in exactly
the same way as an in-line system is used. Stereo effects devices
may be returned on a single fader, which greatly increases input
capacity during mixdown.
mixing
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